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The feud between the Montagues and the Capulets looks less like rivalry than pure chaos we can’t believe anyone would give a damn about these two kids fooling around.
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But Luhrmann’s film unfolds in a world without restraint. Romeo and Juliet, the story of lovers torn apart by the mutual hatred of their families, is about youthful romance restrained (and ultimately killed) by ego, tradition, blind vanity. They’re terrific camera subjects, and in this ultimate story of youthful ardor, that counts for a lot (as it did in the 1968 Franco Zeffirelli version).Īlready, you may sense a contradiction. They balance each other perfectly: Danes is the more tenderly expressive, but DiCaprio, with his cat-eyed Asian delicacy, is, if anything, even more beautiful. If they can’t exactly fake being classical thespians (they have matching California monotones, too), that’s okay, since the two are used as elegant erotic objects. The movie’s young stars, Leonardo DiCaprio and Claire Danes, are downy-skinned teen idols with matching curlicue smiles. Gunfights and brawls edited with such whiplash abandon the images might have been cut together by a straight razor … William Shakespeare’s Romeo and Juliet is a slick blast of ”decadence,” the kind of violent swank-trash music video that may make you feel like reaching for the remote control. Silver designer pistols that look as if they were engraved at a Rodeo Drive boutique. Skinheads, drag queens, and leather-boy desperadoes.